[COMPARED TO WHAT?]: Page One introduced the jazz world to the unusually mature and original young tenor saxophonist, Joe Henderson

While Joe Henderson seemed to arrive fully formed on his auspicious 1963 debut Page One, the album was really a showcase for the transcendent collaboration between the tenor saxophonist and trumpeter Kenny Dorham who would form a potent frontline team on numerous classics. Besides, Durham the incomparable McCoy Tyner, bassist Butch Warren, and drummer Pete La Roca are on hand to add the proper punch and balance needed.

The album opens with a pair of indelible Dorham compositions (Blue Bossa/La Mesha), the 6-song set penned by Henderson includes “Recorda-Me.” Page One is also available on Blue Note Classic Vinyl Edition is 180g all-analog, mastered from the original tapes. ~Editorial Review | Amazon

Listen to this amazing classic “PAGE ONE” by tenor hornist Joe Henderson.

REFLECTION: Rendering classic jazz INFINITY by an amazing artist, pianist/composer McCoy Tyner

McCoy Tyner Trio, INFINITY (ORIGINALLY RELEASED: Jan. 1995)

When I think about great piano players, it is appropriate to say not just because of familiarity McCoy Tyner’s name rises among the top as significant, vibrant, and soulful players on the jazz scene regardless of era. Perhaps, it is easy to come to this conclusion because of his musical virtuosity undoubtedly speaks volumes. Case in point, in front of me is his brilliant 1995 recording “INFINITY” qualifies as a defining moment and a supreme choice for jazz collectors to embrace and listen to repeatedly.

Tyner paired his voice with some of the best to record INFINITY, bassist Avery Sharpe, drummer Aaron Scott, and saxophonist Michael Brecker appeared to combine their formidable gifts and presence to amplify originals such as “FLYING HIGH” to Monk’s bouncy “I MEAN YOU” featuring Brecker’s solo places firm exclamation point on it! Penned by Tyner, the palpable funk meets jazz sound is underscored on “HAPPY DAYS” and a pellucid rendition of Coltrane’s “IMPRESSIONS” features Brecker’s recognizable tone to this delectable palette of music.

As a player and composer, it is Tyner’s complex, bold, and soul-stirring vocabulary that integrates naturally. “MELLOW MINOR” an original yet vigorous piece at the number eight spot title does not match the tempo and far removed from being remotely relaxed (jamming). Moreover, this gem is solidified by saxophonist Michael Brecker’s rich vibrato and stimulating voice is undeniably icing on the cake. Tyner closes the session with his muscularly fluent touch (solo) and distinct stride is utterly amazing on the classic “GOOD MORNING HEARTACHE.” When an artist approaches timeless pieces like this is an opportunity to excel and make it your own or not and he met this challenge without breaking a sweat. ~Reviewed by Rob Young

At your leisure, listen to “INFINITY” a timeless classic by the legendary McCoy Tyner.

REFLECTION: the bopulicous “Night Dreamer” is considered the prodigious Blue Note Records debut by saxophonist/composer Wayne Shorter

Wayne Shorter, NIGHT DREAMER (RELEASED: April 29, 1964)

With four projects behind him, it was Shorter’s Blue Note debut “NIGHT DREAMER,” he came armed with a decisive strategy, poised and determined spirit with not only strands of wisdom from prior records but maximum smoke to six original compositions as a statement, footprint, and artistic voice to emerge as a beacon of light with a bright future in jazz waiting to envelop him. Influenced by Trane, he not only mirrored his style but it’s Shorter’s approach, and his writing skills showed unexpected maturity earned him a spot among the best. Therefore, to make this project manifest with unprecedented glory he called on the finest talent in the game, Lee Morgan, McCoy Tyner, Reggie Workman, and Art Blakey to record this impressive head bopper titled “NIGHT DREAMER.”

As I listened intently, I’ve discovered Shorter’s voice and talent were sharpened and developed during his tenure with Art Blakey’s Jazz Messengers. The opening selection “NIGHT DREAMER,” and title track set the tone of what was yet to be unveiled throughout this thoughtful and mesmerizing collection of tunes. Even today, “ORIENTAL FOLK SONG” a favorite is a boss jam with each spin it draws me to the core of his stimulating tonality and solace that comes with his smoldering timbre. By now, any serious jazz aficionado is aware that Mr. Shorter has ascended beyond the shadows of expectation, great players and composers alike to become one of the most revered, and accomplished musicians and composers in jazz today.

At a glance, on “VIRGOShorter’s moaning bravado shimmers quietly yet he convincingly engages in harmonic nuances with a softly spoken zeal, thirst, and hunger. Next up, Shorter‘s bop-infectious “BLACK NILE” erupts with unmatched interplay provided by the stellar cast of musicians also shines a light on his unmatched valor as a seasoned player. On the hip-swaying “CHARCOAL BLUES,” Shorter makes his mark as a contender, one to reckon with as a certified bluesologist. He closes the session with the ambitious “ARMAGEDDON,” once more he demonstrates why he’s the new player in town with serious skills. As a student of jazz, Shorter showed critics right or wrong he met the challenge he learned to adapt these tools of the trade and mastered these gifts as an emerging voice landed with perfect-timing on Blue Note Records to give jazz enthusiast worldwide an earth-shaking masterpiece called “NIGHT DREAMER.”

Listen and discover why music lovers deem “NIGHT DREAMER” one of the best by Wayne Shorter.