Makaya McCraven Puts A Modern Bounce on Blue Note Classics with “Deciphering The Message”

With his new remix album, Deciphering The Message, the Chicago-based drummer, producer, and beat scientist Makaya McCraven digs through the vaults of the legendary jazz label Blue Note Records to put a modern bounce on classics by Art BlakeyHorace SilverHank MobleyKenny Burrell, and Eddie Gale, among others. The album’s lead single Frank’s Tune” (AKA “De’Jeff’s Tune”) is available to stream or download today. Deciphering The Message will be released November 19 and can be pre-ordered now on vinyl, CD, and digital download.

Across numerous albums and mixtapes, McCraven has proven his mastery of the loop akin to hip-hop’s most celebrated beatmakers like J Dilla and Madlib, both of whom also found inspiration in the Blue Note catalog. With acclaimed releases like In The Moment (2015) and Universal Beings (2018), McCraven created his own lane in jazz by sampling his band playing improvised sessions throughout the world, then molding the audio several times to pull contrasting moods from it. For his most recent project McCraven remixed Gil Scott-Heron’s final album I’m New Here into the equally emotive LP We’re New Again (2020).

McCraven has always been a collaborative artist and Deciphering The Message features newly recorded elements from vibraphonist Joel Ross, trumpeter Marquis Hill, alto saxophonist Greg Ward, guitarists Matt Gold and Jeff Parker, bassist Junius Paul, and De’Sean Jones on tenor saxophone and flute. In that way, Deciphering The Message connects the past and present, proving that musicians become legends by trekking the same roads with like-minded creators all moving toward the same goal.

That throughline is evident on the lead single in which Jack Wilsons hard bop cut Frank’s Tune—from the pianist’s little-known 1967 album Easterly Winds—is remade into De’Jeff’s Tune, an ‘80s R&B-inspired arrangement with a two-stepping dance groove, wafting guitar chords courtesy of Parker, and delicate flute from Jones. The track opens and closes with the voice of Blue Note legend Art Blakey, the irrepressible bandleader of The Jazz Messengers, addressing his audience: “We want you to leave your worldly troubles outside and come in here and swing… So as the message is being delivered, ladies and gentlemen, you may pat your feet and have a ball.”

While Deciphering The Message collects songs from several years of Blue Note history, it plays like a continuous set taking place in one show at one venue. “When piecing everything together, I wanted to create a narrative that made the listener feel like they were falling into this space or a movement,” McCraven says. “I was really trying to make a record out of it, not just a series of tracks.”

McCraven hopes the album is both educational and an outright good listen. “I always want to make music that will connect with people in one way, where it makes them nod or feel something or transport them somewhere,” he says. “I also hope this makes them check out the source of this music if they have it. The music that we’re making now is part of the same route and is connected, so I want to honor tradition and release something that people can vibe to.”

The tracklisting for Deciphering The Message is as follows:

  1. A Slice Of The Top (AKA “Sliced Off The Top”)

[from A Slice Of The Top by Hank Mobley]

  1. Sunset (AKA “Son Set”)

[from Whistle Stop by Kenny Dorham]

  1. When Your Lover Has Gone (AKA “When You’ve Left Your Lover”)

[from A Night In Tunisia by Art Blakey & The Jazz Messengers]

  1. Ecaroh (AKA “Revlis”)

[from Horace Silver Trio by Horace Silver]

  1. Tranquillity (AKA “Corner Of The World”)

[from Components by Bobby Hutcherson]

  1. Wail Bait (AKA “Wait Bail”)

[from The Memorial Album by Clifford Brown]

  1. Coppin’ The Haven (AKA “At The Haven Coppin’”)

[from One Flight Up by Dexter Gordon]

  1. Frank’s Tune (AKA “De’Jeff’s Tune”)

[from Easterly Winds by Jack Wilson]

  1. Autumn In New York (AKA “Spring In Chicago”)

[from Blue Lights, Vol.1 by Kenny Burrell]

  1. Monaco (AKA “Monte Negro”)

[from ‘Round About Midnight At The Cafe Bohemia by Kenny Dorham]

  1. Mr. Jin (AKA “Mr. Gin”)

[from Indestructible by Art Blakey & The Jazz Messengers]

  1. C.F.D. (AKA “D.F.C.”)

[from Something Personal by Jack Wilson]

  1. Black Rhythm Happening

[from Black Rhythm Happening by Eddie Gale]

Stream our playlist Deciphering The Message: The Originals


NOTEWORTHY: Trouble the Ropeadope Records debut by saxophonist Max Bessesen

Max Bessesen’s distinct sound and personal melodies have made him a much sought-after saxophonist in Chicago’s vibrant music community. While Max has varied musical interests including folk, electronic, and classical music, his approach is rooted in jazz and united by a love of collaboration and improvisation.

Max is one part of the collectivist crossover group Echoes whose latest release “Loading Screen” (Outside in Music) has been described as “the sound of jazz in the right now” by Jazziz Magazine. He is also an active member of The Chicago Folklore Ensemble, Emily Kuhn’s Helios, and the Sam Pilnik Nonet among others. Max will release his first album as a leader entitled “Trouble” (Ropeadope Records) on September 4th, 2020.

In 2016 Max was the first jazz musician awarded a fellowship from the Frank Huntington Beebe Fund. This grant allowed him to travel for a year across India, Ghana, and Cuba to study music under the mentorship of masters of Indian Classical, traditional West African, and Afro-Cuban forms.

Born in Denver, Colorado Max was performing professionally by age 14. During his undergraduate studies at Oberlin Conservatory, he earned an outstanding performance award from Downbeat Magazine and studied with Gary Bartz, Eddie Henderson, and Billy Hart. Max has performed with Ron Miles, Greg Ward, Matt Ulery, and many others. He has appeared on stages at the Chicago Jazz Festival, the Swingin’ Groinigen Festival, Cleveland’s Tri-C Jazz Festival and can be seen regularly at Chicago jazz and creative music venues including Andy’s, Constellation, and The Green Mill.

At your leisure, check out “TROUBLE” by Max Bessesen