IMPROVISED MUSIC (UNFLITERED): Clockwise continues saxophonist/flutist Anna Webber’s ongoing exploration of the interstice between creative improvisation and tightly-prescribed compositions.

IMPROVISED MUSIC (UNFILTERED): It’s difficult to describe improvisation because as I see it the sounds derive from the one who is playing it or is influenced by like-minded musicians. The direction of each composition varies as the notes are shaped differently with each encounter it will most likely change depending on the mood and temperature of the interplay, dialogue, or the soloist perspective.

Saxophonist/flutist Anna Webber has been an active performer and bandleader on the New York scene for the last decade, playing with the likes of John Hollenbeck, Dave Douglas, Matt Mitchell, and Jen Shyu. Her own projects, which are clear expressions of her knotty compositional sense, have been hailed by The New York Times as “bracing, argumentative and engineered to show the range of the group members: fulminous, intense collective improvisation; rapid, chromatic steeplechases; research into long tones and textures.”

Her new release, Clockwise, is an homage to some of her favorite 20th Century composers as seen through the lens of their works for percussion. For the project, Webber researched and analyzed various percussion compositions by Iannis Xenakis, Morton Feldman, Edgard Varése, Karlheinz Stockhausen, Milton Babbitt, and John Cage, isolating particular moments that could be extracted and developed into new works. The music explores notions of density and indeterminacy, using timbre as an organizing principle, continuing Webber’s ongoing exploration of the interstice between creative improvisation and tightly-prescribed compositions. ~Editorial Reviews | Amazon

Originally Released: January 10, 2019

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